French Painter, 1863-1927  Related Paintings of Paul Serusie :. | Talisman | Germany | The Daughters of Pelichtim | A Widow Painting | Breton Wrestling |
Related Artists:
Anthonie van Borssom
(January 2, 1631, Amsterdam - march 19, 1677, Amsterdam), was a Dutch Golden Age landscape painter. According to the RKD he was an Italianate landscape painter who copied works of popular landscape painters of his day in Amsterdam such as Jacob van Ruisdael, Paulus Potter, Aelbert Cuyp (church interieurs), Nicolaes Berchem, Philips Koninck, Jan Wijnants, Aert van der Neer (moonlit landscapes), and Cornelis Vroom. He lived and worked in Amsterdam but made a trip in 1650-1655 along the Rhine and spent time in Kleve.He was buried in the Westerkerk.
Johann Walter
painted Gustavus Adolphus of Sweden at the Battle of Breitenfeld in 1632
Cornelis Bol
Dutch, born circa 1589-1666,Painter, etcher and draughtsman, active in London. He was probably from a family of painters originating in Mechelen who later settled in Antwerp. Bol and his wife were members of the Dutch Church in London in 1636. An etching of an Action between the Dutch and Spanish Fleets (Oxford, Bodleian Lib.) is signed and dated 1639, and a set of etchings by him after Abraham Casembrot ( fl c. 1650-75) includes a view of Lambeth Palace as well as four imaginary Mediterranean seaports. A signed drawing of the Blockhouse at Gravesend is in the British Museum, London. George Vertue saw at Wotton House, Bucks, 'three views of London from the River side Arundel House Somersett house Tower Lond. painted before the fire of London by Cornelius Boll: a good free taste'. They were probably commissioned by John Evelyn, the diarist, around 1660 and descended in the Evelyn family. Their attribution to Bol is confirmed by a signed version of Somerset House (London, Dulwich Pict. Gal.). Although Bol was only moderately accomplished, he was able to reproduce the distinctive light and character of the River Thames and to render the riverside and its landmarks with much topographical detail; his pictures make pleasing visual documents. The handling of the naval craft is identical in a small signed oil panel of an Action between Dutch and Spanish Ships (Amsterdam, Rijksmus.) and in other marine subjects that have appeared in London salerooms. According to Immerzeel, Bol was still working in London at the time of the Great Fire in 1666.